A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
女机长太帅了！！！尤其那段solo，高亢婉转，余音绕梁呀！！
灾难来临前的鸡毛蒜皮是生活的全部，人们活得恍恍惚惚、显得单纯幼稚。一旦灾难过境，人的善良、乐观和坚韧又常常爆发出惊人的能量。纽芬兰的这个小镇恰是如此。
看了百老汇官摄的疫情后新版。I am an islander!!!
管制中心那段太真实了，航空用语非常标准
今日被影版DEH伤碎的心靠CFA来拯救了😭
后半段很棒。所有演员的功底都超扎实。喜欢机长的Solo
一个时代创伤被用这么温柔温暖的笔触抚慰 大哭一场的同时也感觉被治愈了
一定要去看现场！！！我坐在第三排的rush ticket！！！太温暖了！！！简单的旋转舞台玩出花了！！！这就是现场艺术！！！
有生之年一定一定要跟朋友一起去看一场音乐剧！鸡皮疙瘩都起来了！最喜欢女机长和黑人老妇
当汉娜得知自己儿子去世的时候，台侧的小提琴手也掉下眼泪。
视角好好，希望我也在用这样的视角，用人话讲共同记忆。
看剧好幸福 me and the sky好好听 本来20年能在剧场见的我好恨啊
12个演员完成全场，在如此众多的人物量之下，堪称完美调度！
太感动了。就靠几把椅子让观众面前出现了那么多不同的画面。
一开始是很感动，现在这个时候再看“世界人民大团结”的电影，难免鼻子发酸，希望地球村依然是可以想象的。再后来是难过，时代的沙砾掉在个人头上可能就是毁天灭地的陨石。最后是沮丧，看他们纪念10周年，在想我们有没有机会这样纪念什么社会事件？
20 years. Still remember every minute of that morning. This is recorded from live theater. Fantastic acting.
遗憾因为这个该死的疫情没能看上巡演，希望世界尽快恢复正常。
无与伦比的舞台艺术，12位演员，精彩绝伦。
发生在纽芬兰小岛上的暖心故事，真是一群可爱的人。p.s.前有《汉密尔顿》，后有《来自远方》，这样的官方录制麻烦多来点好吗！
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