The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
山林，春夏秋冬，一个人在意的是自己的初心……与別人无关……
无巧不成影，但要知道过犹不及，惊悚刺激过过瘾了。
不要靠近辣鸡男，会变得不幸。满是bug的反转，无聊的狗血，两星给美Lei。
极限运动近几年大受欢迎，拍的也很惊心动魄的
起始于一个不可原谅的愚蠢错误，之后的一切都没有意义
不停反转还是挺有趣的，its always the..
怎么说呢……悬疑程度为0…你不如直接叫它剧情片……但作为剧情片它又太单薄了。
小成本救援片，没有大场片，带点人性和死亡的思考和探讨。
QueenB虽然老了但是这部电影演绎的真好，这种剧情惊悚的我喜欢，但是闺蜜抢男友的剧情过于老套了吧
看到Lei在ig宣传这个电影找来看 美Lei还是很美很精致 剧情虽然没啥惊喜但看美女就很开心了 有个人叫Sebastian我还想起之前Lei和384交往过来着 然后死了都能解锁苹果手机这一点有点恐怖 那为什么苹果还不能口罩解锁！
有钱人落难大家最喜欢root for，有意思
非要在厕所里报警吗？克罗地亚警察这么蠢？不查一查她老公的航班信息？
又看了一场《海边的曼彻斯特》
QueenB现在变成这副苦大仇深的样子了？。。。
漏洞百出的悬疑啊……出轨就出轨嘛 搞得我以为是暗网饭迈人口呢
6，成也监控败也监控。抛开硬伤，剧情尚可。演技在线，镜头在线。但作为反转片有逻辑硬伤 太拉胯了。
小成本救援片，没有大场片，带点人性和死亡的思考和探讨。
老公不是老公，闺蜜不是闺蜜。女主真的太惨了。
故事一般般，很安静的讲述一个故事，但风景真的很美，又想骗我去爬山了，疫情啥时候是个头哦，登山杖手柄都长毛了~~~
剧本欠打磨啊，来回怀疑一圈人。司机角色驱动力和出现都莫名其妙。然后就是全世界的恶都是前夫渣男干得^^
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