"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
导演气氛做的好，一步一步的陷进去，从无伤大雅到参与其中，观众一直在跟着走。
故事比较平淡，但是自由的思想让人羡慕，父权的专制和医院的伪善变得无足轻重
It's the world that is crazy, but it's us who are taken into asylum,
22-094. 構圖和影調都是我喜歡的，可是內容真的沒什麼吸引力
狗尾续貂 停在女主看到摄影展就好了 Seb的声音太难听 刘承羽好漂亮
5/10 后半段反转太刻意了。Sydney实在是太大啦
偷窥能拍出新意真是件不容易的事情，简单就是偷窥大战呀，男友死得也太冤了！
前面太苦了，那种无尽坠落和无力改变的苦，太难熬了。
73，let out与被介入。介入的人会受到伤害。let out包括脱衣服，出家门，说出憋着的话。剧情偏简单，但可以一看。画面非常巨大。
偷窥别人的生活，然后慢慢上瘾，慢慢陷进去，真讨厌这个女主
为了反转而反转..题材还行..基本上就是软色情片
依然是对演员的驾驭远胜于对摄影机的把控 通灵的变焦真的存在“幽灵”吗？护士和病人对峙的正反打又是否勾勒出女性之间或惶惑或坚定的“凝视”？抑或只是几组概念“文明—疯癫”“禁闭—自由”“规训—反抗”“神祉—鬼魅”的教条主义二元化编织？运动与情绪的普遍性匮乏之下 我们又该如何在当下重构这场只有裸露没有“身体”的舞会？
好奇害死猫的佩奇最后反杀，只是弄瞎了他们是不是太便宜了他们啦
女主一脸萝莉的样子，可真的是...深藏不露...
后半段有点崩了。每次看这种偷窥题材的电影总是让我反复确认希区柯克的《后窗》是多么牛逼。
3.5
当你凝视深渊时，深渊也在凝视你。偷窥不知被反偷窥，对面只是演了一出戏，梦醒时自己这边闹出了人命
抛开片中的情色部分，算得上是一部不错的惊悚剧情片，而且这一部分内容不加也是可以的，并不会对整体剧情造成影响。
你要说往簧片方向走那真的赢了，除此之外，太牵强了，甚至可以说狗鸡巴不是。
算是借鉴到了《后窗》和《登堂入室》，想要表达的主题其实很贴近当下社会，在对别人的生活津津乐道的时候，有没有想过对自己的意义在哪里？只是没有一个角色讨喜，确实真真切切地展现出了人性的黑暗面。而最终的复仇也没能达到观众期待的高潮，其实反转还挺容易猜到的。
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