Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
久别重逢，触景生情~
很想看，但暂时还是不了，五星给最好的你们，和最好的我们。
I was very touched by one of the fans of friends who said how Friends help him to deal with depression and loneliness. And that’s exactly how I felt too. It’s sad to see how young they used to be.
看到他们重聚还是挺感动的，六人的选角很恰当，最爱是Ross他浑身上下都充满喜剧细胞哪怕杵在那里什么话都不说也能引人发笑…菲比其次，6人中保养最好的也是她了。想起以前看老友记的欢乐时光各种笑梗以及出彩的客串配角，不管什么时候偶然看到电视重播时仍然会停下来看很多集看了数遍但仍然笑得跟个什么似的…无剧可替，同类型的生活大爆炸追到第五六季也没继续了，老友记已经是不可逾越的经典。
戏外的结束。节目一个不错的地方是让现实和剧中情节交融推进。但他们的状态真是各自不一。是从什么时候开始，你隐隐希望这部剧可以永远拍下去呢。
不是粉丝，看完这部就明白了蜡笔小新为什么能长盛不衰，每部剧场版都评分不俗。去他妈的精英，快乐更重要。
对青春的冒犯与推理，对友谊的追求和憧憬，风间和小新真的太好嗑了。要是早几年拍就好了，这个主题多少有点陈旧了。
结尾又燃又好哭 我可能到50岁还是会很爱看蜡笔小新
燃炸，甜炸，好看炸。最后居然泪目了。青春是铁面具，青春是恋爱，青春是闪闪发光，青春是自卑感，青春是后悔，青春是道义，青春是孤独，是狂欢，是曾经，是当下，是 fire……中二的非常合适。画面和配音也都非常舒服，是享受。
感谢老友记陪伴我的时光，真挺好看的一部剧。时代不同了，美国LGBTQ大规模骑脸输出，影响了影视作品很多…负面影响。期待我们也能拍出这样的好作品
还记得高考前被窝里看Monica求婚感动到泪眼婆娑，呜呜呜呜呜呜呜我也回不去了。
很多人给满分不是因为10季的剧集和这段视频本身，而是给了我们看完这部戏后到今天为止的这段日子，有的人是17年，有的人是10年，有的人可能只有两三年，我们把这段日子叫做改变了我们的时光。
想重温了，而且他们还在其中，只要一按钮就又开始了我的青春
我最理想的状态就是：等到十年或者二十年、三十年后，和曾经跟自己一起拍片的好友聚在一起聊拍摄趣事、创作的心路历程。可问题是、我可能永远拍不出自己的第一部长篇电影、而曾经志同道合说要一起走下去的伙伴也早就选择了其他的行业工作。我不想最终过成一个没有情怀留念没有故事讲述的人
我宣布 这是蜡笔小新的所有剧场版里面我最喜欢的一部！！
不知道你们留意到了没有，我觉得钱德勒的演员马修还是话太少了
哭得想死又笑得打鸣 虽然就是卖情怀但是我愿意我愿意😭
看的103分钟版，没看到有火鸡。把美好留在那10季里就够了。
看的103分钟版，没看到有火鸡。把美好留在那10季里就够了。
编剧说，在二十几岁的日子里，大家寻找职业、寻找自我、寻找爱情，然后相互陪伴，这是人生中最好的十年。的确如此，我想，三十岁的自己一定会怀念现在的生活，并且无论我怎么过二十几岁，都会是有遗憾的。
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