On the surface Kitty, Margot, Bree and Olivia appear to have nothing in common but there’s one passion which unites them - to expose injustice.They form their own secret society, DGM - they Don’t Get Mad, they Get Even - playing anonymous pranks to expose bullies.But when their latest target, Ronny, ends up dead with a DGM card in his hands, the girls realise that they’re not as anonymous as they thought - someone now wants revenge.Bannerman School might look beautiful from the outside, but there’s something corrupt under the surface. Competition is encouraged to the point of cruelty, bullying is common and accepted by the establishment; the way the teachers see it, if you can’t take it you’re not a good fit for the school.The four girls set out to deliver justice for those who have been wronged at the school, but the tables are turned against them.DGM find themselves framed for a crime they didn’t commit. Their only option is to discover who the true murderer is, why they were framed, and clear their name once and for all.It’s also a time of first love, exams and identity crisis and for Kitty, Margot, Bree and Olivia. The themes of love and relationships, trust, true friendship, empowerment, teen identity and independence weave addictively throughout the series. Even when they are focused on grades or guys, jeopardy is never far away.Adapted by Holly Phillips from the book by Gretchen McNeil, Get Even is a ten part series and is a co-production between BBC Children’s In-House Productions and Boat Rocker Studios. Executive Producer for Children’s In House Productions is Lucy Martin with Chapman Maddox and Bob Higgins Executive Producers for Boat Rocker.Mia McKenna-Bruce plays Bree, Kim Adis is Kitty, Bethany Antonia is Margot and Jessica Alexander is Olivia. Razan Nassar plays Amber, Chris J Gordon is Donte, Joe Flynn is Ronny, Joe Ashman is Rex, Isaac Rouse is John, Kit Clarke is Logan, Danny Griffin is Shane, Dylan Brady is Ed, Emily Carey is Mika, Jake Dunn is Christopher. Jack Derges is Coach Creed, Elaine Tan is Coach Evans, Shannon Murray is Mrs Baggott, Charlie Anson is Mr Harrington and Natasha Atherton is Detective Misra.The full series of Get Even will be available on BBC iPlayer from Saturday 15 February.
看到电影后半段一直在哭泣，印度电影业已经在为社会问题发声，我国呢？
7分。绑架只为获得发声的话语权，将强奸搬上台面，唤醒装聋作哑的群众，推动立法。揭露政府腐败堕落，媒体妖言惑众，套路化和节奏掌握的不错。镜头不算突出，偶尔还有突兀的特写推镜头就很尬。
ps,这部电影中出现的印度女总理，强奸犯死刑，IC814事件均是真实发生过的，印度电影在纪念和反思历史，这真的值得学习，很有意义。
又是一部套路化的庸俗之作，能不能有點創新。
当你开始看这部电影到现在，已经有8名妇女被强奸……不知道该说些什么，你可以说她是噱头，但她真的有别的办法吗？没有。没有。没有。
从最后打出那三行字幕，这部电影就已经完成了意义。受害者的痛苦，并不只值得一场烛光游行，吹哨人的勇敢，并不该通过以暴制暴才能被看见。「如果天塌下来正义才能伸张，那就塌吧」。
受害者想要正义有多么困难。非要以死相逼绑架儿童你才肯听我的声音吗？
我想说：如果一个社会把最普通的老百姓，最该被保护的受害者一点点逼成了罪犯，逼成了施暴者；一个生态把大家都愚化成了键盘侠和冷漠的旁观者，那么，我们每一个人不仅是沉默的帮凶，更是下一个潜在的被害者和元凶
司机就是强奸犯的这个反转确实没想到，千万不要让肖央或是陈思诚或是其他的一些导演看到这部片子，要不然就会被收编到《误杀》系列了
2⃣️整体剧情冲突设计、节奏推进以及影片色调都与《误杀1-2》极为相似 几乎没尿点
没有唱歌跳舞的印度片，立意不错，本来可以拍得更好些，现在最大的问题在于太直给了，到后来拍成保护妇女权益的宣传片了。
#心~影 故事整体节奏有点拖沓，立意蛮好的，就是有点过于理想化。
主线是社交障碍的小朋友开发友谊和社交，支线是霸凌，网红，亲情，家庭关系，中年危机，移民问题，geek小孩，互联网巨头，用户安全，用户隐私，商业，公司愿景等等....太多了。所以整体很好，但大结局就差一口气，没立住
“自你观看这部电影据统计印度已有8名妇女被强奸。” 又稍微查了下网络各国的公开数据，自我开始观看这部电影，英国又有21名妇女被强奸，美国又有64名妇女被强奸。能润快润吧。
和误杀2类似 但是立意和动机都比误杀2好多了。 当然误杀2也是翻拍迫在眉梢 所以建议陈思诚买下这部版权 加上之前的较量的版权 一年一部 做成误杀宇宙
虽然呈现上位于好莱坞初级阶段，但是对这种电影的讨论不应该仅停留在技术和审美的层面。
6.5分。又是这种立意很好，但完成度不足的片子。着眼女性权力是好事，但用孩子做人质的那一刻，其实她所有的诉求都已经没有意义了。还玩什么总理当面交谈之类的鬼话，整个后半段几乎完全不知所云。不是你出发点好，你所作的所有事情都能被接受的，感觉就从没人真关心过这点。
电影的立意大于电影本身的精彩，节奏拖沓，故事几乎没什么悬念，相比较其他几部印度神作还是稍逊一筹吧
电影拍的一般 高潮不够 但是敢拍出来就值得尊重
自从看了三年A班后，就免疫了一切绑架题材电影，但说实话，这部电影不好看的原因只是在于，作为一部电影，它是不好看的，单这一点，就无法让我继续深入它所要探讨的印度女性命题，这种商业化、类型化的表达，远远没有现实主义表达来得更有说服力
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