Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
咋说呢，一个还玩着千禧年之前那套的过气编剧再加上一个二把刀导演，怀揣因为哥谭青年小丑火起来的卡梅隆·莫纳汉和约翰·马尔科维奇与弗兰克·格里罗三张不错的牌，在配上三位性感尤物，换来的确实和影片名字一样，支离破碎的一地鸡毛，三十分钟基本上就能看到底的剧情，后面的六十分钟，就是无聊加无聊了，可惜了颜值了，老编剧看来已经不知道现在的电影需要些什么了……
被上司骗送生化武器，到了发现女儿或许早死了就摧毁病毒并自杀。。。感觉女权味太重了
机关算尽太聪明，反误了卿卿性命。俄罗斯女麻豆演员是亮点。
这不是Funny Game 反杀版嘛还有 两大美女帅哥加持，上6.9没毛病啊，给你回回血。比什么开心毒花强吧
剧情什么的我不管了，总而言之，Lily Krug实在很赞
另外看到抗议人群在街头拿小锤砸砖块，莫名想笑，这块头子的，太熟悉了。
就出现20分钟也好意思占海报那么大块地方…… 不过很辣就是了 KIKI
离群索居的生活容易支离破碎。
要命…这也太烂了吧 辛苦女主配合导演硬凑这90来分钟
除了女主的颜和气质，其它完全不值一看，包括她肤浅的表面化的表演。另外，男主的选角非常不好，“伊恩”即使蓄了胡须，一看也是30岁以下的年轻人，完全不符合角色人设。
女主太美了，每一帧都没有不好看的，真人芭比娃娃omg，为女主打四星，其他毫无亮点
房东Marlkovici明知风险巨大，还贪十万二十万的便宜; 任何安防系统没有报警键吗？观众都傻子吗？
有些镜头还可以，其实反应的是母爱的故事，所以当做文艺片看会更好。
约翰马尔科维奇和弗兰克·格里罗都是配角，女主莉莉.库拉格性感，表演不错。
次品女主后知后觉的悲催人生，被继父引出恶性，大概14岁就被洗脑荼毒了，其实女主本可以有很好的人生，可是因为继父成为次品，到死才向男主说出自己的真名
6/10。看得头疼，如此乱的剪辑和晃动的运动镜头是没法撑起冷峻无比的环境设定的，但相反，此片的枪战镜头和部分中远镜镜头意外不错；贵为大女主电影，但女主开挂过于严重，internal conflict几乎没有；概念还算新，但对于这个故事而言也没有提供什么轰动的独特性或者是亮点
无聊的故事+主题，无聊到这么完整、演员演得这么卖力，令观众动容。
勉勉强强凑合着还能看，有1到2场的近战比较写实，还有劳米确实演技担当，男主确实帅，其他没有什么深度可言。
某种程度的希腊旅游宣传片，教授几场追逐戏的配乐加分，然后就是异常扯淡的剧情，还有男主没有立起来的演技……你也不知道主角这么拼命到底干了什么……
疫情，被关在家一周，看这个电影觉得意境很棒
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