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6 out of 7 people found the following comment useful.
A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
女主出场也是很帅气呀～
一直不太喜欢极端重金属，太吵，然而本片也算是为我好好普及了这个冷门音乐品种。原以为是成长类的影片，预赛，半决赛，决赛，主角封顶那种，结果只有一首歌就结束了，当然非常shock，艾米丽拿着大提琴出场惊艳全场，可惜歌曲实在太少啦！
普通的青春片吧，其实和金属没啥关系，把金属换成其他爱好这电影都成立，甚至更好。另外，不是所有搞金属的人脑子都有病。
Being cool is a fucked up idea in high school, it’s being whatever makes you popular, it has nothing to do with being really cool, like chasing your passion is the ultimate cool
裹扎这重金属音乐外衣的青春剧。青春，躁动，热血，中二，活力十足。
以音乐为背景，透过重金属摇滚乐来宣泄青春时代的躁动。有些情绪，确实只有通过摇滚才能精准传达。
另：女主像是女版的james，就是去他nia的世界里的男主。
鼓手打的不错，那套鼓也不错，国内奔着十万以上走吧，主唱片尾的那段solo挺好，然而除上述之外，片子不再有其它出彩的地方。音乐总体一般，完全比不了“重金属囧途”，故事很硬，还选了高中生作人物，整部片子不温不火，没多大意思，音乐也没多大意思。
在这个荒唐的日子口，看了一部关于自由的电影。“自由的代价是什么？everything！”
中规中矩吧，可可爱爱的年少时光，要是我年轻时有这样的社团和朋友吉他也不会弹得这么烂了，小年轻的恋爱也好可爱，重金属乐队不是恐怖吓人，只是一种态度，不错
唱最凶狠的歌，干最阳光的事。《重金属天团》就是典型的好莱坞音乐青春片，还是价值观特正的那种。套个摇滚的题材，宣泄的全是成长的烦恼。元素的错位反差固然建立了很多有趣的情节，可是对于摇滚乐来说，这完全就是个门外汉在想当然。精神内核没有丝毫重金属的气质，就只是在外形上耍耍假把式。电影有趣不带表达对跨载体的艺术创作就是对的，就本片来讲，音乐和故事一定要分开来看的，当作童言无忌的表达便罢。
电影拍的再装逼，如果不解决这个bug，就是垃圾电影，就是装逼的电影，就是一个扯淡的电影。
这位演员应该是目前南非最棒的演员，他主演《所罗门的故事Kalushi: The Story of Solomon Mahlangu》也很不错的。
男女主很可爱，剧情有点无聊，有点。。。不够“金属”？
2022年度观影计划113/200
你们甚至没多少人愿意去了解一下“自由战士”这四个字代表着什么
普通的青春片吧，其实和金属没啥关系，把金属换成其他爱好这电影都成立，甚至更好。另外，不是所有搞金属的人脑子都有病。
争取民族自由组织四人小组，被出卖破坏行动失败，误打误撞进入银行，万般无奈之下，升级为争取释放曼德拉的行动，最终行动失败，释放所有人质之后，战斗而死！
看到片尾出字幕的时候，我？就结束了？并不是意犹未尽那种…就故事体量太小了。
《女生要革命》是通过杂志发出青春期的呐喊和主张，这里则转为在音乐中找到能量；尽管这种直白浅显的青少年戏剧很少能有太多惊艳的发展与更为深刻的转向，但它仍比无病呻吟的恋爱故事要有意义，也依然成为不少足够优秀的青少年演员在拥有更多角色前最好的试炼。Jaeden Martell真的很棒，饰演“Hunter”的Adrian Greensmith同样惊艳。
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